If what is called history is so near mythology as, many times, to be confounded with it, what about romance and the historical drama in which events, entirely imaginative, must of necessity find a place? What about the long-drawn-out conversations in books and on the stage that are attributed to historical persons? What about the actions attributed to them, which need not be true but only seem to be so? The supernatural element is the only thing lacking to make such works mythological in every way.